The sequel is the equal if not an improvement on the original - more consistent story-line, better production values, and a plethora of great new characters including Domino - who steals the show. I personally found it funnier than the first, and laughed right the way through the entire film - fans of the original will love it!
In a similar manner to GOT, Season 3 sees ’Into The Badlands’ really hit its stride - with significantly improved production values and a better realised world building experience. Everything is bigger and better now - including the always amazing fight scenes. We know and like most of the characters now and their story arcs are evolving along more interesting lines - a real joy to watch currently.
Epic is a word that is much overused these days, but could be well applied here in the ambition. scope, size, cast and overall production values of this film. I’m not sure it will win many new converts, but existing Marvel fans should love it. The grand scale of thing means that certain things feel slightly episodic but it all hangs together nicely.
A rather unsung show which is subtle, and understated and sophisticatedly grown up. I have enjoyed all 4 seasons with one of the key original narrative arcs coming to a close in this season. I’m sure there are several more books to cover, and since we’ve lost some key characters perhaps its time to do a GOT and go off-script.
A smart reboot with elements of both the 60’s version as well as the more recent feature film - yet mostly its own thing. It’s a proper family Sci-fi show for a wide range of ages - Netflix advises PG/12. For me it has a great sense of adventure and a really nice family dynamic throughout with mostly likeable characters. Production values are top notch here - it looks beautiful and well considered, although the science does not always hold up to scrutiny.
A superb creature-feature with a really clever premise and cinematic theme /mechanic which works really well for the most part. Proper edge-of-the-seat stuff throughout - which should win an Oscar for sound-design. Great performances too, but some plot holes for me personally - real quality throughout though.
Second season is right up there with the first - witty dark family comedy with superb production values and perfect cast. If anything, the 10 episodes is way oto short - seems to have been all over in a heartbeat and ends on a literal cliff-hanger!
Another Stop-Motion classic in the vein of Wes’s Fantastic Mr Fox. It does not quite have the humour of Roald Dahl, and is somewhat more whimsical in places, but really earns its spurs on technical prowess and all of the usual fine details you associate with Wes Anderson - linear movement, composition and viewing frame. It’s not quite up with his best, but I loved its inventiveness and production values throughout.
Spielberg is back to his effervescent best in this Sci-Fi fantasy for all the family - brilliantly combining live and CGI action in a sufficiently seamless and emotive manner. It is crammed full of Easter eggs - both figurative and literal, and managed to bring out my inner child and joyfully transport me back to the 80’s. Well worth seeing at your local IMAX.